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Pratyahara, which means withdrawal of the senses, is the fifth limb of
Patanjali's Ashtanga Yoga. The etymology of Pratyahara states that it is derived
from two Sanskrit words: prati and ahara, where prati means away or against and
ahara meaning food, or anything taken into ourselves. So, Pratyahara literally
means "to withdraw oneself from that which nourishes the senses." In yoga, the
term pratyahara implies withdrawal of the senses from getting attached to
external objects. Pratyahara is the stage at which an expert learns how to
control the "tentacles" of consciousness, which are known as indriyas in
Sanskrit. Once through this stage, the person is able to see in subtle and the
subtlest layers of multidimensional space, and to exit of his material body into
them and to settle in them, accustoming himself to their subtlety, gentleness
and purity.
Types of Pratyahara
There are two types of Pratyahara - Indriya Pratyahara and Prana Pratyahara;
these two further lead to two subsequent types of Pratyahara - Karma Pratyahara
and Mano Pratyahara.
Indriya Pratyahara implies Withdrawal Of Senses, or sensory inputs into out
physical being. Since five senses create sensory overload, Indriya Pratyahara
thwarts the collection in the mind.
Prana Pratyahara suggests Withdrawal Of Prana (vital energy of the body), as
prana is what that drives the senses. To stop the dispersion of prana, we are
required to control its flow and harmonize it.
Karma Pratyahara implies Control Of Action, which actually entails not just
control of motor organs, but also right action or work.
This finally leads to Mano Pratyahara which suggests the Withdrawal of Mind. It
is consciously practiced by withdrawing attention from anything that is
unpleasant, and distracting for the mind, such as, by withdrawing attention from
the senses, and directing it inwards.
Practices In Pratyahara
Pranayama is one of the most common practices for Pratyahara. While doing
Paranayama, the person withdraws from the external on its own, and brings his
focus inwards towards his breath. His connection with the external senses and
stimuli get detached steadily. Besides Pranayama, another practice is to
concentrate on Ajna Chakra or the third eye - the point between the eyebrows.
Another common technique to facilitate the development of Pratyahara is to first
reduce physical stimuli, and then concentrate on one sense, say hearing. It's
natural tendency of the mind to roam between the sensory inputs. In this
situation, when there are no longer major sensory inputs, and the mind gets
tired of hearing, it is compelled to turn inward. In the advanced stages, the
electrical currents, which pulsate through the nerves and even the reflex
muscles, are turned off by the practitioners. This may be achieved through
Pranayama.
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